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Gaze LGBT Film Festival

Gaze LGBT Film Festival

Thursday, 01 August 2019 until Monday, 05 August 2019

GAZE International LGBT Film Festival Dublin celebrates LGBT storytelling. Our exciting programme of films and events engages filmmakers and audiences in a vibrant social experience.

GAZE programmes thematically to explore the many facets of LGBT lives worldwide, expressly including films which deal with the difficulties facing our LGBT sisters and brothers around the world and at home.

Spirit of GAZE Award
Audience Award
Best Documentary
Best Irish Short
Best International Short

1. GAZE International LGBT Film Festival is presented in association with our sponsors Accenture Ireland, The Arts Council of Ireland and Dublin City Council.

2. The aim of GAZE film festival is to showcase the latest and greatest of international LGBT cinema, and to help foster and promote the Irish LGBT filmmaking community.

3. GAZE is an annual event taking place in the Light House Cinema, Dublin, with accompanying events taking place throughout the year.

4. Feature films, documentaries and short films of any genre or subject matter are open for unsolicited submission to the festival.

5. Feature film, documentaries and short films of any genre or subject matter are also selected by invitation by the festival.

6. Entries to GAZE Film Festival must have been produced within the last two years. Priority is given to Irish premieres. However, this is not prerequisite to selection for the festival. Films which are available online, or have received a theatrical or video release in Ireland, will not be considered for the festival.

7. Viewing material is accepted via online link (password protected) or downloadable file. If you do not have an online link or downloadable format for the film, please contact us directly.

8. GAZE bestows a number of awards at the end of the festival – Spirit of GAZE, Best Documentary, Best Irish Short, Best International Short and Audience Award. Please note that these awards are symbolic and have no monetary value.

9. All foreign language films that are submitted to the festival must be subtitled in English.

10. GAZE Film Festival will not alter selected films in any way for their festival screening.

11. Excerpts from films will only be shown for promotional purposes if permission is obtained from the producer.

12. GAZE Film Festival is a public event, with a number of accredited filmmakers, jury members, distributors, film programmers and press in attendance.

13. The regular submissions deadline for GAZE Film Festival is 5pm on Friday March 30th 2018. Films should be submitted online through FilmFreeway. Selection notifications for the festival will be made by Friday May 25th 2018.

14. Submission of a film represents agreement with the regulations set forth here.

GAZE LGBT FILM FESTIVAL DUBLIN

CONTACT: Roisín Geraghty (Festival Programmer)
EMAIL: roisin@gaze.ie


 

2019 films...

Thursday 1st August

DEEP IN VOGUE

 Deep in Vogue is a riotous look at the Manchester vogue scene - a scene confined neither to the New York of the past nor a London enclave, but across the spectrum of Manchester’s queer scene, with a giant hit of Northern soul.

​Full info here.

 Friday 2nd August

HANDSOME DEVIL

​GAZE Film Festival are delighted to be partnering with the IFI’s Education Department and BeLonG To Youth Services on a special 15-18’s screening of Handsome Devil, and a Q&A with writer/ director John Butler.

​Full info here.

SOCRATES

​Socrates, a handsome and hard-working young man regularly fills-in for his mother at her cleaning job when she’s unable to work due to illness. Life isn’t easy, but they manage. But after her sudden death, Socrates is placed in legal purgatory — no adult guardians, but not yet old enough to live independently.

​Full info here.

ZEN IN THE ICE RIFT

Set against the glorious and glacial Italian Apennine mountains, Zen in the Ice Rift is a coming-of-age story unafraid to be bold, brutal and achingly sincere.

​Full info here.

LIGHT ON THE WATER

For many of us who still bristle at the memory of obligatory team sports at school, Light in the Water is a wonderful antidote: an inspiring and uplifting tale of friendship and love through sports.

​Full info here.

ANNE+

A quintessential millennial story told through six standalone episodes, the Anne+ series traverses the many miscellaneous relationships and exploits of the titular character as she finds her way in the world, learning from each new experience, and reflecting on the diverse women who have had an influence on her.

​Full info here.

NEVRLAND

This assured debut feature by Gregor Schmidinger is a feast for the senses: head spinning visuals layered with a pulsating techno soundtrack take us and our protagonist on a heartracing trip to Nevrland.

​Full info here.

GOOD KISSER

Good Kisser is a sweet, sharp and utterly charming debut feature, which probes the question - what happens when you introduce an alluring, exotic and sophisticated stranger into your relationship for a three way fling with ‘no strings attached’?

​Full info here.

JONATHAN AGASSI SAVED MY LIFE

When Jonathan Agassi arrived on the gay porn scene, in the 2000s, a new superstar of adult entertainment had arrived. He was hot, hard, playful and loved sex. Propelled into fame by Michael Lucas, Agassi was sometimes at odds with an industry that demanded a certain type of masculinity (Agassi is memorable for his inclusion in Michael Lucas’s porno-propaganda Men of Israel).

​Full info here.

A GIRL'S BAND

‘I changed the bass for the camera’ — this statement from director Marilina Giménez solidified her creative manifesto when she left her lesbian punk band to make documentary film. However, though the medium through which she channelled her creativity changed, her mission remained the same — to use art as a form of rebellion and activism.

​Full info here.

Saturday 3rd August

SEBASTIANE

In celebration of the lasting legacy of the Hirschfield Biograph, GAZE presents a retrospective screening of Sebastiane, Derek Jarman’s audacious debut. Shown as part of the spring 1980 programme at the Biograph, the film left an indelible mark on many, through it’s unapologetic and gorgeously realised homoeroticism. 

​Full info here.

ARE YOU PROUD?

Are You Proud? is a richly detailed documentary encompasses the past, present and debates the purpose of Pride and the future of LGBT+ communities in a post-Marriage Equality era. Featuring detailed interviews with contemporary activists, public figures and a plethora of queer liberation’s trailblazers, Are You Proud? is an incisive and intersectional documentary that revitalises debate and forces us out of our comfortable complacency. The screening will be followed by a discussion scrutinising Pride's radical roots of resistance, it's rise in mainstream consciousness, and the complexities around it's corporatization in contemporary society.

​Full info here.

LET YOUR COLOURS RUN FREE

Supporting the work of our Irish LGBT community stands of great importance to the ethos of GAZE, and the opportunity to showcase the inspirational work of local heroes is one we are truly privileged to have with Let Your Colours Run Free. Charting the path of TransGreystones, a group created to support the trans community in Wicklow, the film delineates their emotional journey to create their first art exhibition.

​Full info here.

MEN'S SHORTS

The greatest stories are not held back by barriers or borders. In this collection
of shorts we take a trip to London via Lebanon, to the jungles of Peru straight
up to the good outdoors of Canada. In each, a new story, unique in its own way, but universal in its sense of empathy, understanding, and desire. Sometimes silly, often sexy, and others shocking in their honesty. Just because they’re short, doesn’t mean they don’t pack a punch.

​Full info here.

FOUR QUARTETS

Marco Alessi, UK, 2018, 11’

​Young Raf finds joy on the dancefloor, and not with the cool crowd, in this joyous and sonically resplendent short.

MARCO

Saleem Haddad, UK, 2019, 22’

​Depleted Omar is dodging calls from his family in Lebanon. When he invites over Spanish sex-worker Marco for some needed relief, he realises they have more in common than he initially thought.

FOR SOMEBODY ELSE

James Cooper UK, 2018, 4’

He’s a private dancer, a dancer for money.

CARLITO LEAVES FOREVER

Quentin Lazzarotto, Peru, 2018, 8’

​In the deep of the Amazon jungle, indigenous Carlito knows that something is calling him — and driving him — from his home.

STARVING BOYS

Raphaël Massicotte, Canada, 2018, 7’

A Daddy, a Twink and a Bear — and some full frontal nonsense in this frothy, fun and sexy romp.

JUAN OF THE WITCHES

Andrew Houchens, Mexico, 2019, 18’

An intimate portrait of the rich life of 82-year-old ballet performer Juan Medellín told with joyous flourishes of animation.

PARKING

Ahmad Seyfipour, Iran, 2018, 9’

When a thief finds two men having sex in the back of a car the power games start
— what’s worse, three months in jail for theft, or death for loving another man?
A challenging, provocative and insightful short from Iran.

AMONG STUDENTS

Jannik Gensler, Germany, 2019, 10’

Herr Brand wants to stand up to the homophobic boys in his class who taunt another student, but is just as afraid as young Lias. In a moment of solidarity between teacher and student, a dangerous mistake is made.

LASTING MARKS

Charlie Lyne, UK, 2018, 14’

The award-winning documentary by the director of Beyond Clueless, uncovering the truth behind the shocking Operation Spanner, when sixteen men were put on trial for crimes for sadomasochism — which they consensually enjoyed together.

REMEMBERING QUEER TRAILBLAZERS: BARBARA HAMMER

This year we lost one of the foremost radical lesbian filmmakers of our time — Barbara Hammer. A traiblazer of queer, feminist and activist film, her work intersected the experimental, narrative and documentary form. As an early pioneer of video art,

her unapologetic depictions of previously hidden lesbian sexuality emboldened and inspired generations of queer women. This year marks the tenth anniversary of her visit to GAZE Film Festival in 2009, and while we deeply mourn her passing, we are honoured to have the opportunity to celebrate her work, life and legacy; to exhibit her visionary provocations of the moving image form, and to introduce a new generation of film audiences to her work in a cinema context.

​Full info here.

AUDIENCE

1982, 33’

​An intriguing deep cut from the Barbara Hammer archives, the filmmaker documents varying international audience perspectives to screenings of her films, providing a meta commentary on the programme to follow.

DYKE TACTICS

1974, 4’

​Perhaps the most well known of Barbara’s visual works, Dyke Tactics endures as a perfectly formed, extremely memorable and pioneering expression of lesbian identity, desire and sexuality.

DOUBLE STRENGTH

1978, 14’

​Both deeply poetic and intensely physical in form, Double Strength performs the various stages of a lesbian relationship, through early passions, conflicts, break- ups and enduring friendship.

SUPER DYKE

1975, 18’

​Super Dyke is a whimsical tongue-in- cheek reflection on feminist liberation — affectionately composed and bearing witness to lesbian empowerment and visibility.

​DREAM AGE

1979, 12’

​Abstract and introspective, Dream Age reflects a 70-year-old lesbian feminist, taking her 40-year-old self on a quest to both explore and reflect upon her internal life.

EVIDENTIARY BODIES

2018, 9’

​One of the final works from the Barbara Hammer canon, Evidentiary Bodies is a deeply meaningful and contemplative piece; an emotional yet sobering meditation that perfectly encapsulates her truth as a filmmaker.

THE BLOND ONE

Beloved by LGBT film festivals the whole world over, Marco Berger returns with The Blond One. After years of bringing you to the edge, this time he finally takes you all the way in this seductive and sensual tale of longing from afar.

​Full info here.

JULES OF LIGHT & DARK

Hinging on the unlikely relationship developed between two lost souls brought together through unfortunate circumstance, Jules of Light and Dark demonstrates the unique connection articulated through queer isolation, and the power of these ties that bind.

​Full info here.

THE GROUND BENEATH MY FEET

Lola, a workaholic business consultant, controls every detail of her life with precision and efficiency, optimizing every aspect with assertion and a feigned and strangely clinical confidence. However, just beneath the surface lay a myriad of factors she cannot control - dark family secrets, a lineage of mental illness and a domineering and deceitful sexual relationship with her work colleague. When these factors coalesce, her veneer of discipline and control begins to unravel, causing Lola’s grip on reality to rapidly slip away.

​Full info here.

MAPPLETHORPE

Chronicling the volatile life and astounding art of photographer Robert Mapplethorpe, master documentarian Ondi Timoner brings factual flare to her narrative feature debut Mapplethorpe, a portrait pulsing with passion, perversity and sexual defiance. Matt Smith (The Crown) brings clarity and precision to Mapplethorpe’s life, from his early halcyon days in the Chelsea Hotel and his mythicized relationship with Patti Smith, to his meteoric rise as an artist, and (homo)sexual awakening and foray into BDSM.

​Full info here.

KNIFE+HEART

Set a stylised and atmospheric 1970s Paris, Vanessa Paradis plays Anne, a prolific porn director, upended when she is dumped by her editor, the gorgeous Loïs. But matters get much worse, when her sexy young actors start getting offed before they get off, by a bladed-dildo- wielding psychopathic killer. Targeting these boys at gay clubs, this killer is making a statement, but who are they, and what do they want? Tongue-in- cheek campy fun in places, emotionally captivating in others, and all sonically drenched in a gorgeous haze, thanks to French electronic darlings M83.

​Full info here.

BRIEF STORY FROM THE GREEN PLANET

Winner of the 2019 TEDDY Award at the Berlin Film Festival, Brief Story From the Green Planet is a hypnotic and heartwarming trans-galactic story of friendship and family.

​Full info here.

Sunday 4th August

DIFFERENT FROM THE OTHERS

As a core value of GAZE, we endeavour to share with our audience important works of queer filmic history, and deep cuts from the annals of gay representation in cinena. This year we bring a special 100th anniversary screening of Different from the Others, the first known depiction of gay characters on screen.

​Full info here.

BEING IMPOSSIBLE

Delicate in its treatment of the intersex experience, Being Impossible is a strong, determined and thought-provoking inquiry into the nature of how we as human beings allow our physical beings to determine our mental and spiritual identities.

​Full info here.

INVISIBLE WOMEN / THE ARCHIVETTES

Having endured as a clandestine community for many generations, it is no surprise that so many historical records and folk archives of the lesbian community have been lost, or deliberately erased. With this specially curated programme, GAZE wishes to highlight these forgotten histories, with the documentaries Invisible Women and The Archivettes — two non-fiction films that explore small yet revolutionary acts of defiance and resistance, which helped to promote greater visibility of lesbian women and the wider LGBT community.

​Full info here.

WOMEN'S SHORTS

Love is a gift, sex is a joy, and when you get those two things together it’s hard to let go of and painful when you do. These shorts are about the strength of that bond, the work it takes to sustain it and what it is to live a life always deserving it.

​Full info here.

THE BROTHER

Kai Fiáin, UK, 2018, 4’

​The morning after the night before and Frances has got straight out of one dodgy situation and into another — but best to just go along with it, yeah? Lovingly made on Super 8 film.

LEE & WANDA

Rob Eagle & Norman Powell, UK, 2019, 16’

A tender portrait of Lee & Wanda, together for decades, one a singer, the other a showgirl, and the many adventures they shared.

MISDIRECTION

Carly Usdin, USA, UK, 2019, 14’

A sweet friendship between Cam and a street magician gives her a few tricks to win back the object of her affections.

THE HALF WALL

Ida H. Eldøen, Norway, 2018, 6’

A couple’s life and relationship is pushed to its limits... all because of that bloody bathroom wall!

THE LINE

Melisa Resch, USA, 2018, 12’

A love story for the age of protests — as two young activists in the 1990s find sparks flying amid the heated and dangerous struggle of defending reproductive rights.

NON È AMORE QUESTO (THIS IS NOT LOVE)

Teresa Sala, Italy, 2018, 30’

A stunning and intimate documentary about Barbara, who lays bare her heart, mind and body as she lives her life fully as a disabled woman.

REMEMBERING QUEER TRAILBLAZERS: MARLON RIGGS

The early 1990s ushered in a new wave of filmmakers - Todd Haynes, Gregg Araki - provocative, incisive directors fed up of the queer narratives hijacked by mainstream cinema. This time became known as New Queer Cinema. Among them was Marlon Riggs: a unique voice, speaking truth to power. And while Haynes and Araki matured into respected and lauded filmmakers, Riggs did not have that luxury.  Riggs died of AIDS-related illnesses in 1994, but not without leaving a powerful legacy and a body of work that still astonishes today. GAZE pays tribute to Marlon Riggs on the 30th anniversary of his seminal work, Tongues Untied, and his short film Affirmations.

​Full info here.

TONGUES UNTIED

1989, 55’

The 30th anniversary of the legendary film: A polemical portrait of love, sex and AIDS in the black, gay community. Marlon Riggs was a poet and filmmaker, and in just 55 powerful minutes tackles racism, safer sex and civil rights in this multi- dimensional documentary. The legacy of Tongues Untied remains its shocking relevance today. Provocative and elegiac in places, sexy and fun in others, and always righteously angry, Tongues Untied is radical magic on screen. SMG.

AFFIRMATIONS

1990, 10’

A vibrant and unapologetic short about being black and gay... and loving it…

IRISH SHORTS

One of our favourite events of the year and the programme we hold dearest in
our hearts: we celebrate the power of film through these queer stories, encompassing the entire island of Ireland. Our annual reminder that when it comes to storytelling, the Irish always have a few tales to tell — and here are some of the best.

​Full info here.

FRIDA THINK

Maya Derrington, Ireland, 2018, 4’

​A woman walks into a party dressed as Frida Kahlo, only to find that her version of unique has mass appeal.


BECOMING CHERRIE

Nicky Larkin, Northern Ireland, 2019, 12’

A multicolour portrait of drag queen Cherrie Ontop, living with HIV in the age of the DUP.

MUIRGHEILT

Tara Hegarty, Northern Ireland, 2017, 8’

When a fisherman gets a bigger catch than usual, he gets another surprise from the sexy selky he’s landed.

BOY SAINT

Tom Speers, Ireland, 2018, 7’

A sumptuous short film of friendship and adoration between boys, based on a poem by Peter LaBerge.

IN ORBIT

Katie McNiece, Ireland, 2019, 17’

​A hypnotic and beautiful love story between two women that crosses both time and space.

BOARDWALK

Finian Robbins, Ireland, 2019, 9’

​When a father and son go out for a walk in the midlands, the conversation about the son’s choice of partner is not about the fact he’s a man, but the age-old question of “good stock”.

134

Sarah-Jane Drummey, Ireland, 2019, 12’

​Powerful and emotional short about a family challenged by a break in tradition, not only in the realms of Irish dancing, but in how to love and do best by their child.

EQUAL

Gillian Callan, Northern Ireland, 2019, 23’

The fight for equality is not over, and nowhere closer than in Northern Ireland, delicately balanced between two nations — once again denied rights allowed in Britain and the Republic. This documentary demands our righteous anger once again.

​The programme will be preceded by a special screening of Letter To My 14 Year Old Self (Brian Mulholland, Northern Ireland, 2016, 8’), in tribute to writer and activist Lyra McKee, who tragically lost her life this year. A beacon of light in the LGBT community in Ireland, her words and kindness helped so many, and she is missed.

CONSEQUENCES

Andrej is seventeen, aimless, and angry. His parents are exhausted, his anti-social outburst land him in a correctional facility for young men. In this centre, the language is violence. Andrej, who deep down is more lost than aggressive, does his best to hold his own. That is, until he meets Željko, the meaty bruiser who leads a gang that terrorizes the place. Željko answers to no- one, and recognising Andrej’s vulnerable desire, forms an intense, powerful and erotic hold over him.

​Full info here.

CALL HER GANDA

The new documentary film for GAZE alumni filmmaker PJ Raval (Before You Know It), Call Her Ganda is a powerful, provocative and textured documentary recounting the life and tragic death of Filipino trans woman Jennifer Laude.

​Full info here.

CUBBY

A coming-of-age story for late twenty- somethings, Cubby is a fantastical and often hallucinogenic story of finding yourself when you have no idea where you are even going.

​Full info here.

Monday 5th August

THE LITTLE MERMAID

To celebrate the 30th anniversary of the film that launched a new wave of Disney classics, GAZE is delighted to present The Little Mermaid as this year’s queer family film. A unique screening of the queer and campy classic, with music by Alan Menken and lyrics by the much loved and missed Howard Ashman. Not to mention the legendary Ursula the Seawitch, inspired by none other than John Waters’ drag queen muse herself — Divine!

​Full info here.

MY BEAUTIFUL LAUNDERETTE

Our Festival Friends hold a special place in GAZE’s heart, many returning year after year to renew their investment in the GAZE mission — to celebrate the power of LGBT stories on film. Our Festival Friends are such an important part of the Festival that this year we launch our very first Festival Friends screening. The film voted for by the Festival Friends is My Beautiful Laundrette.

​Full info here.

TRANS AND GENDERQUEER SHORTS

For the first year, the title of this programme has changed to reflect the limitlessness of queer identity, as these trans and gender- non-conforming shorts reflect the plurality and diversity of the stories that exist in the world. A programme of films that are once singular and experimental, while at the same time lovingly traditional and universal - the full richness of pleasure and pain that comes with living freely in a challenging world.

​Full info here.

JUSTICE FOR MAYA

Jamie Chi, Philippines, 2019, 3’

​A beautiful, allegorical stop motion short of the Maya, a national bird of the Phillipines, known for their queer relationships and their need to escape their cages and be free.

TELL-BY-DATE

Sarah Ball, USA, 2019, 14’

​When the time comes for Ryan to tell his son he’s not his biological father, he imposes a deadline, but it’s easier set than done!

BAY OF PLENTY

Milva Stutz, Switzerland, 2018, 12’

​A first-person journey to a floating virtual world, where digital creations transcend all binaries to create something much more hypnotic and playful.

GRANDMOTHER AND ME

Kat Cole, USA, 2018, 7’

​An intimate letter to the grandparent she’ll never meet - director Kat Cole and her trans fiancé Del weigh up what we need to tell and hide from the people we love.

CHAIR AMOUR

Patrick Serre, Belgium, 2019, 9’

​A child growing up in a strict religious family faces repercussions from their parents when exploring gender play. Visually rich, intense and challenging short of order and control.

MILLER & SON

Asher Jelinsky, USA, 2019, 22’

​In a family run mechanic’s shop, one life is lived by day, and another by night. Featuring a captivating performance by non-binary actor Jesse James Keitel.

WELCOME TO THE BALL

Adam Vincent Wright, USA, 2019, 5’

​When two different children learn something new about the other, a joyous friendship begins in this life-affirming short.

ACT UP IRELAND: UNITED AND ANGRIER THAN EVER

GAZE presents HIV/AIDS activism on film, from the 1980s to the present day, followed by an important panel of activists to discuss where we are and what needs to be done.

​Full info here.

LOVE & SUPPRESSION

Samuel Foxton, 2017, 4’

SNOW JOB: THE MEDIA HYSTERIA OF AIDS

Barbara Hammer, 1986, 7’

DIVA TV: LIKE A PRAYER

Catherine Gund, 1991, 29’

BECOMING CHERRIE

Nicky Larkin, 2019, 11

MAKING MONTGOMERY CLIFT

Making Montgomery Clift reexamines Monty’s life, and the many flawed narratives that have come to define him. Drawing from the rich archive of intimate materials gathered by Monty’s brother Brooks, the film provides an altogether more positive perspective of the man, going as far as to re-frame Clift as someone unashamed of his sexuality, who stood in bold defiance of the restrictions placed on him by the Hollywood studio system.

​Full info here.

IRIS PRIZE SHORTS

Composed of reflections on contemporary queer youth, our 2019 Iris Shorts collection collates brave, bold and sometimes brutal stories of LGBT adolescence. Demonstrating current preoccupations in this type of coming-of-age storytelling, these films are radical, realistic and contain important articulations on both the internal and external lives of gay youth in the present day.

​Full info here.

LADIES DAY

Abena Taylor-Smith, UK, 2018, 9’)

​Amma spends the day getting braids in an Afro-Caribbean hair salon. It’s full of fun, sheen spray, gossip and laughter, but how will she deal with the casual homophobia?

ZERO ONE

Nick Neon, USA, 2018, 24’

​When Jimmy Park visits home for the first time in years, he’s forced to make peace with the ghost of who he could have been.

THE WORLD IS ROUND SO THAT NOBODY CAN HIDE IN THE CORNERS — PART 1: REFUGE

Leandro Goddinho, Brazil / Germany, 11’

The journey of a gay African refugee seeking asylum in Germany, who was forced to leave Nigeria to save himself, and his love.

MASKS

Mahaliyah Ayla O, USA, 2018, 21’

​A closeted medical student risks being outed to her family when she is targeted in a mass shooting at a gay nightclub.

BLEACH

Jesse Lewis Reece, UK, 2018, 26’

​Teenager Jay moves to a new town and joins the local boxing gym, where he’s taken under the wing of its owner, the aggressive disciplinarian Shane.

INVOLUNTARY ACTIVIST

Mikael Bundsen, Sweden / UK, 19’

​Aled is faced with a dilemma when his sister tells him his husband isn’t on the guest list to her wedding, exposing hidden homophobia and exploring themes of conformity versus defiance.

SECRET SCREENING

Five years strong, our the GAZE Secret Screening has all the thrills and spills of our favourite dark room — the cinema! And if you grope around inside you’ll find a diverse and delightful array of treasures, with previous years featuring restored classics, fan frenzy documentaries and new Irish classics waiting to be discovered. Anything can happen in the dark...

​Full info here.

COSTA BRAVA

Continuing one of the GAZE’s most cherished and enduring collaborations, the festival and Dublin Film Qlub present a special screening of Costa Brava, Marta Balletbó-Coll’s glorious exemplification of independent guerrilla film-making.

​Full info here.

JT LEROY

Director Justin Kelly brings the completley bonkers true story of JT Leroy to the screen for the first time in fiction form, capturing the human drama behind the headlines of the ‘literary hoax of our generation’.

​Full info here.