On Fire Island...

The Metrograph

7 Ludlow Street

New York City

August 11 to August 12

Sixty miles southeast of Manhattan, Fire Island acts as a calming tonic for those (mostly queer) folks looking for an escape during New York’s balmiest months. Former residents and visitors included Greta Garbo, W.H. Auden, Calvin Klein, Truman Capote, and Tennessee Williams. On screen, this 30-mile-long utopia has served as the setting of a filthy two-act play, the backdrop of a cruel coming of age story, an environment for sexual discovery, and a place of contemplation for a man dying of AIDS.

Historical shorts will be paired with titles.

Boys in the Sand (Wakefield Poole/1971/90 mins/DCP)
Acclaimed Broadway dancer and director Wakefield Poole created a sensation when he and producer Marvin Shulman opened their gay adult feature, Boys in the Sand, at the 55th Street Playhouse in New York City in 1971. Starring Casey Donovan in three sexual vignettes, the film made Fire Island an international tourist destination and introduced gay sex positivity to straight audiences.

Last Summer (Frank Perry/1969/95 mins/16mm)
An X-rated (in the MPAA sense, not the XXX sense) cult coming-of-age classic, adapted from Evan Hunter’s novel by the eternally-underrated director/writer team of Frank and Eleanor Perry. Starring Barbara Hershey, Bruce Davison, Richard Thomas, and an Oscar-nominated Catherine Burns as a group of Fire Island youths whose impending maturity is marked by shattering emotional and sexual violence in this, the rare teen film untainted by sepia nostalgia. Print courtesy of the National Film and Sound Archive of Australia

My Hustler (Andy Warhol and Chuck Wein/1965/67 mins/16mm)
Warhol’s camp tour de force concerns an idle competition on an empty summer day between tartly monologuing middle-aged queen Ed Weiner, his female Fire Island neighbor, and aging male prostitute, “The Sugar Plum Fairy,” for the attentions of peroxide-blonde “Dial-a-Hustler” hunk Paul America, ogled from deck chairs on the veranda. Bitchy, bitter, and among the flat-out funniest of Warhol productions.

Parting Glances (Bill Sherwood/1986/90 mins/35mm)
One of the first American movies to look the AIDS crisis dead-on, Sherwood’s bittersweet comedy-drama features a young Steve Buscemi in the star-making role of manic rock ‘n’ roller Nick, ex-lover of Richard Ganoung’s Michael, who is simultaneously coping with Nick’s illness and the imminent overseas departure of current boyfriend John Bolger. Setting his scene during one bustling 24-hour period which ends with a Fire Island foray, the sadly short-lived Sherwood faces tragedy with humane humor, creating one of the quintessential queer films of the Reagan debacle.

Sticks and Stones (Stan Lopresto/1970/85 mins/DCP)
A dime-store Rohmer via Boys in the Sand, Stan Lopresto’s chatty, cruel, melancholy film chronicles a 4th of July party on Fire Island. Featuring two lovers, Peter and Buddy, and friends The Lavender Guru, Bobby, and Bike-Boy Fernando, with a recently acquired Prince Albert, Sticks and Stones is a time capsule of now ancient gay norms and a portrait of the Pines long changed.

Further info is available at Metrograph.com