Latest Gay Additions...

  • I Am Samuel
  • Days
  • We Are Who We Are
  • Oliver Sacks: His Own Life
  • Monsoon
  • Sócrates
  • Music for Bleeding Hearts
  • Years and Years
  • Lawyer (The)
  • Fathers Project: What If Aids Never Existed? (The)
  • Legendary
  • This is My Face
  • Galore
  • Sissy: The Movie
  • Mirror Mirror
  • Umbrella Academy (The)
  • Israeli Boys (The)
  • Werq the World
  • Eurovision Song Contest: The Story of Fire Saga
  • Straight Up
  • Deep in Vogue
  • Climax
  • Boys on Film 1-20
  • Dating Amber
  • Don't Look Down
  • Latin Boys (The)
  • Hurley
  • Thanks to Hank
  • Hollywood
  • Circus of Books
  • For They Know Not What They Do
  • Real Michael Jackson (The)
  • Pride & Protest
  • Darkroom - Tödliche Tropfen
  • Acrobat (The)
  • Crystal City
  • Liberty
  • Tiger King: Murder, Mayhem and Madness
  • 5B
  • End of the Century

Darkroom - Tödliche Tropfen

Country: Germany, Language: German, 89 mins

  • Director: Rosa von Praunheim
  • Writer: Rosa von Praunheim; Uta Eisenhardt
  • Producer: Rosa von Praunheim

CGiii Comment

When Rosa von Praunheim releases a film, expect the unexpected.

Darkroom may [or may not] surprise...considering the subject matter, a gay noxious serial resides [too much] on the reserved side of things. Herr von Praunheim could have [but didn't]

The thing with 'serial killer' films always sounds a little perverse to say: I really enjoyed that! Think of all the great 'serial killer' - it's [usually] about the killer's charisma and the intrigue of the modus operandi...Darkroom has none of that. Lars [the killer] is a liar who poisons men...that's about it. He's woefully uninteresting and dismally dull. On the other hand, his ukulele-playing boyfriend is an utter delight and supplies a much-needed levity to the [peculiar] mundanities of this gruesome tale.

Even though the timeline is a bit jumbled, there is a fairly straightforward narrative...and, despite the quirks, it's all so pedestrian...walking down any old, small-town high-street is more thrilling than watching this.

Darkroom is not a terrible film, it's watchable...but, so damned underwhelming, it should have been shocking, mind-blowing, earth-shattering...not what we expected from [the mellowing] Herr von Praunheim.


The(ir) Blurb...

In Darkroom, cult director Rosa von Praunheim focuses on a true crime story that occurred in Germany recently, and the result is one of his most thrilling films. Lars, a male nurse from Saarbrücken, moves to Berlin with his lover, Roland. They begin to renovate an apartment and their happiness seems almost complete. What Roland doesn’t know is that, while secretly checking out Berlin’s night life, Lars is also experimenting with a deadly poison...

In a career reaching back to the 1970s, Rosa von Praunheim, real name Holger Mischwitzky (he took the name “Rosa” in allusion to the pink triangle that homosexuals were made to wear in concentration camps), is one of Germany’s best-known and most prolific film-makers. Outstanding among his 100+ films, the celebrated It is Not the Homosexual who is Perverse, But the Society in Which He Lives helped to launch the gay movement in Germany. While, of course, featuring Praunheim’s trademark (and delicious!) touches of kitsch, Darkroom also surprises with its subtlety and depth. Has our most mischievous German film director finally begun to grow up?

Cast & Characters

Katy Karrenbauer as Staatsanwältin
Janina Elkin as Pflegerin
Oliver Sechting as Barkeeper Darkroom
Ulf Peter Schmitt as Verteidiger
Bardo Böhlefeld as Bastian
Maksim Djadjov as Lars (Kind)
Lucas Rennebach as Manuel
Ralf Schlegel as Pfarrer
Marina Erdmann as Bastians Mutter
Christiane Ziehl as Großmutter
Heiner Bomhard as Roland
Malte Kalweit as Junge im Park
Bozidar Kocevski as Lars
Christian Dieterle as Richter
Thomas Linz as Tony