Queer Palm
The Queer Palm is the Cannes Film Festival queer, gay, lesbian, bi and trans (LGBT)award. Every year, a jury, including journalists, non-profit organizations members or artists, rewards one film listed in one of the following Cannes Film Festival selections : The Official Selection (in and out of competition), Un certain regard, The International Critics’ Week, the Directors’ Fortnight, The ACID’s (independent directors) selection. The Jury considers a film’s artistic, LGBT and gender-related topics qualities in order to award this film.
Every nominated and winning film can be found here
The Queer Palm List 2024...
LONGS METRAGES / FEATURE FILMS
SELECTION OFFICIELLE / OFFICIAL SELECTION / COMPETITION
Bird / Andrea Arnold
Emilia Perez / Jacques Audiard
Marcello Mio / Christophe Honoré
Motel Destino / Karim Aïnouz
SELECTION OFFICIELLE / OFFICIAL SELECTION / HORS COMPETITION / OUT OF COMPETITION
La Belle de Gaza (The Beauty of Gaza) / Yolande Zauberman / Séance spéciale
Les Femmes au balcon / Noémie Merlant / Séance de minuit
Miséricorde (Misericordia) / Alain Guiraudie / Cannes Première
Vivre, mourir, renaître / Gaël Morel / Cannes Première
SELECTION OFFICIELLE / UN CERTAIN REGARD
My Sunshine / Hiroshi Okuyama
Viet & Nam / Truong Minh Quý
SEMAINE DE LA CRITIQUE / CRITIC’S WEEK
Baby / Marcelo Caetano / Compétition
La Pampa (Block Pass) / Antoine Chevrollier / Compétition
La Mer au loin (Across the sea) / Saïd Hamich Benlarbi / Séance spéciale
Les Reines du drame (Queens of Drama) / Alexis Langlois / Séance spéciale
QUINZAINE DES CINEASTES / DIRECTOR’S FORTNIGHT
Eat The Night / Caroline Poggi et Jonathan Vinel
ACID
Most People Dies on Sundays / Iair Said
COURTS METRAGES / SHORT MOVIES...
Three / Amie Song / Cinéfondation
As minhas sensações são tudo o que tenho para oferecer (My Senses Are All I Have to Offer) / Isadora Neves Marques / Semaine de la Critique
Sannapäiv (Sauna Day) / Anna Hints & Tushar Prakash / Semaine de la Critique
Las Novias del Sur (Southern Brides) / Elena Lopez Riera / Semaine de la Critique
Immaculata / Kim Lêa Sakkai /Quinzaine des Cinéastes