Mishima: A Life in Four Chapters
- Director: Paul Schrader
- Writer: Yukio Mishima; Chieko Schrader
- Producer: Francis Ford Coppola; George Lucas
CGiii Comment
Francis Ford Coppola & George Lucas produce...big, big names.
A mesmerising score by Philip Glass and the vision of a very competent director: Schrader.
So...what went wrong?
Mishima's homosexuality is barely shown, seemingly due to legal threats from his widow - well, fuck the widow and tell the real story.
The film suffers as a result - it reeks of cowardice which some will interpret as objectivity - who the fuck wants objectivity?
A little controversy goes a long, long memorable way.
Mishima was a ridiculous man with a ludicrous ego - his suicide was a grand and pathetic gesture of his own self-importance.
He left behind some truly depressing literary works and a bitch of a widow.
This is not a worthy testament.
Trailer...
The(ir) Blurb...
The film sets in on November 25 1970, the last day in Mishima's life. He is shown finishing a manuscript. Then, he puts on a uniform he designed for himself and meets with four of his most loyal followers from his private army. In flashbacks highlighting episodes from his past life, the viewer sees Mishima's progression from a sickly young boy to one of Japan's most acclaimed writers of the post-war era (who keeps himself in perfect physical shape, owed to a narcissistic body cult). His loathing for the materialism of modern Japan has him turn towards an extremist traditionalism. He sets up his own private army and proclaims the reinstating of the emperor as head of state. The biographical sections are interwoven with short dramatizations of three of Mishima's novels: In The Temple of the Golden Pavilion, a stuttering aspirant sets fire to the famous Zen Buddhist temple because he feels inferior at the sight of its beauty.
Kyoko's House depicts the sadomasochistic (and ultimately fatal) relationship between an elderly woman and her young lover, who is in financial debt. In Runaway Horses, a group of young fanatic nationalists fails to overthrow the government, with its leader subsequently committing suicide. Frame story, flashbacks and dramatizations are segmented into the four chapters of the film's title, named Beauty, Art, Action, and Harmony of Pen and Sword. The film culminates in Mishima and his followers taking hostage a General of the Japan Self-Defense Forces. He addresses the garrison's soldiers, asking them to join him in his struggle to reinstate the Emperor as the nation's sovereign. His speech is largely ignored and ridiculed.
Cast & Characters
Ken Ogata as Yukio Mishima;
Masayuki Shionoya as Morita;
Hiroshi Mikami as Cadet #1;
Junya Fukuda as Cadet #2;
Shigeto Tachihara as Cadet #3;
Junkichi Orimoto as General Mashita;
Naoko Otani as Mother;
Go Riju as Mishima, age 18-19;
Masato Aizawa as Mishima - age 9-14;
Yuki Nagahara as Mishima, age 5;
Kyuzo Kobayashi as Literary Friend;
Yuki Kitazume as Dancing Friend;
Haruko Kato as Grandmother;
Yasosuke Bando as Mizoguchi;
Hisako Manda as Mariko