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Trailers...

  • Somewhere in Love
  • Endless
  • Halloween Ball (The)
  • In Ashes
  • Bad Reputation
  • Akin's Desert
  • Quir
  • Parque de diversões
  • Odd Fish
  • Moment for Love (A)
  • Love Me
  • Under the Southern Cross: The Art and Legacy of Henry L. Faulkner
  • Those Who Wait
  • Found Photo (The)
  • Surfacing
  • Armand
  • Bliss
  • Cheers to Life
  • Full Support
  • Who Wants to Marry an Astronaut?
  • Better Man
  • Fugue
  • Frikis (Los)
  • Blue for a Boy
  • Best Friend (The)
  • Bob Mackie: Naked Illusion
  • Diosa
  • Children of God
  • Blindgänger
  • Bel Ami
  • Come Closer
  • 1-800-ON-HER-OWN
  • Helen and the Bear
  • Darcy & Jer: No Refunds
  • Pride from Above
  • Inside Out 2
  • Out
  • Padres
  • Unspoken
  • Holiday Exchange (The)

Hockney

Country: UK, Language: English, 112 mins

  • Director: Randall Wright
  • Producer: Mark Bell; Denys Blakeway

CGiii Comment

Mr Hockney is - quite possibly - the most documented artist...living.

What more can we learn?

11 years on and Wright re-visits his favourite subject...11 years older, growing more mellow with each passing year...? Nonsense.

Recently, he announced that gay men have become ‘boring’ and ‘conservative’. 

“Bohemia is gone now,” he said. Isn't that sad?

Approaching 80, Hockney may be a little frail...but, those years have given him a unique history, he is more than qualified to comment upon the world-at-large...he's had a large life. And still, sharp as a pin.

His art has evolved, he embraces emerging technology...refreshingly, not the Luddite.

The younger LGBT community can learn much from the older generation...although, they seem to listen not...sad.

Equality at the expense of identity...

Well, Mr Hockney has a well-defined identity...and, we will continue to listen to anything he has to say...he is - afterall - a senior, trail-blazing member of a community subdued by creeping conservatism and the over-riding need to fit in.

How we all have changed!

Long live Bohemia.


Trailer...

The(ir) Blurb...

Hockney sees the charismatic artist take director Randall Wright on an exclusive tour of his archives and into his studio, where he still paints seven days a week. The film, which looks back at Hockney's formative years in the British Pop Art scene and his experience of being a gay man as the Aids crisis took hold, as well as his years working in California.