Fireworks Logo

Trailers...

  • Secret of Me (The)
  • Camp
  • Explode São Paulo, Gil
  • French Italian (The)
  • Fuck My Son!
  • La 42
  • Wild Foxes
  • We're So Dead
  • Fraternity
  • Pillion
  • Strike (The)
  • Four Stars
  • Children of Silver Street (The)
  • Spying Stars
  • Weightless
  • Foreign Lands
  • Dinner with Friends
  • Other 300: Army of Lovers (The)
  • All There Is
  • Last Night I Conquered the City of Thebes
  • Until the Silence
  • Sun Ra: Do the Impossible
  • Revelations of Divine Love
  • Red Mask (The)
  • Queer as Punk
  • Skiff
  • Come Together: Art's Power for Change
  • Ayô
  • House of Guinness
  • Rob & Rylan's Passage to India
  • Place Where I Belong (A)
  • House with Two Dogs (A)
  • Drea & Cloe
  • We Put the World to Sleep
  • Snare of Evil
  • Martinez, Margaritas and Murder!
  • Julian
  • Home (The)
  • Before/After
  • Our Wildest Days

My Sweet Little Ass

Country: Switzerland, Language: German, 105 mins

Original Title

Mon Beau Petit Cul
  • Director: Simon Bischoff
  • Writer: Simon Bischoff
  • Producer: Simon Bischoff

CGiii Comment

A dirty old, obnoxious man talks endlessly about his sex life...with young Moroccan boys.

Why anyone would want to make a film about this vile little man is beyond logic.

Why anyone would want to watch a film about this grubby little man is tragic.

Thoroughlly distasteful, thoroughly disdainful...if will leave you feeling dirty.

Horrible...from start to finish.


No trailer...

The(ir) Blurb...

The film's principal character is Jean Neuenschwander, who left his home in French-speaking Switzerland in 1956 for Canada, where he was soon appointed manager of a large luxury hotel in Vancouver. In 1971, he bought a house in Tangiers where he settled down a few years later, at the age of 51, for a cosy and opulent retirement. “My Sweet Little Ass” is the account of his personal life, which Jean Neuenschwander clearly takes delight in recounting. He is a likeable hedonist who manages his affairs and his pleasures with considerable skill. From this somewhat comfortable existence, Simon Bischoff subtly extracts a group portrait of the homosexual subculture of Tangiers, which for some has the power of myth, particulary when frequented by characters such as Paul Bowles.

Cast & Characters

Paul Bowles as Himself;
Patricia Mynott as Herself;
Jean Neuenschwander as Himself