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Trailers...

  • Unforgivable
  • Wayward
  • Cutaways
  • My Sunnyside
  • Brigitte’s Planet B
  • How Far Does The Dark Go?
  • Brief History of the LGBT+ Press in Brazil (A)
  • Internal Comms
  • Ghost Empire § Mauritius-Chagos
  • Mothers, Lovers and Others
  • Labyrinth of Lost Boys
  • Gunyo Cholo: The Dress
  • Days of August
  • Chica Quinqui
  • After the Hunt
  • Desire Lines
  • History of Two Warriors
  • Oxygen Masks Will (Not) Drop Automatically
  • Einfach machen - She-Punks von 1977 bis heute
  • Couture
  • Out Standing
  • History of Sound (The)
  • Cinema Jazireh
  • Imagine
  • TURA!
  • Flower Girl
  • Maspalomas
  • Old Guys in Bed
  • Private Life (A)
  • Sane Inside Insanity - The Phenomenon of Rocky Horror
  • Forgetting the Many: The Royal Pardon of Alan Turing
  • Oh, Otto!
  • True Beauty of Being Bitten by a Tick (The)
  • I Know What You Did Last Summer
  • Silencio
  • Cum As You Are
  • I Wish You All the Best
  • Deaf
  • Toxic Avenger (The)
  • Many Deaths of Nora Dalmasso (The)

Exhibition

Country: United States, Language: English, 19 mins

  • Director: Mary Helena Clark

CGiii Comment

A collection of images reproduced from films, museums, and archives, Exhibition weaves together multiple biographies and texts to construct a single imaginary subject. Eija-Riitta Eklöf-Berliner-Mauer marries the Berlin Wall and turns her home into a museum of architectural miniatures to abate her longing for those objects. Mary Richardson stabs Diego Velázquez’s “The Toilet of Venus” as an act of protest and dedication to an imprisoned suffragette.

Shifting into first person point-of-view, the narration combines quotations from the painter Agnes Martin, early eye tracking studies, Sigmund Freud’s case history of “Rat Man,” and an account of a Klein bottle’s misuse as a candlestick holder. The film fragments, copies, and excerpts to create a portrait of desire and trespass, becoming a meditation on the assertion and refusal of subjecthood. “I’m not a woman. I’m a doorknob.”


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