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  • Acting Like Women
  • Meeting Marsha
  • Città dei Vivi (La)
  • Sweet Nothing
  • In This Moment
  • Don't
  • Long Marathon (A)
  • Until You're Alone
  • Pretty Ugly: The Story of the Lunachicks
  • Year in London (A)
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  • Jamaal: Love Coded
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  • I'm Not You
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  • I Rarely Wake Up Dreaming
  • Wolf Cat Fever
  • Broken Beak
  • Nacio Simon
  • Love on a Tightrope
  • Faces of Death
  • Our Effed Up World
  • Incomer (The)
  • Prosecution
  • Unknown (The)
  • Czech Girl
  • Man Will Burn (The)
  • Five-Star Weekend (The)
  • No Rest for the Wicked
  • Dear Future Self
  • Sea of Glass
  • San Francisco Rising
  • All Sides of the Bed
  • We're Nothing at All

Terrorists (The)

Country: Thailand, Language: Thai, 113 mins

Original Title

Poo Kor Karn Rai
  • Director: Thunska Pansittivorakul
  • Writer: Thunska Pansittivorakul; Panu Trivej
  • Producer: Jürgen Brüning; Thunska Pansittivorakul

CGiii Comment

A mixture of newsreel footage, badly filmed porn and badly filmed monotony.

Exploitation and a low IQ are obvious components to this 'film' - a term used in a loose sense...because any ripe amateur could have thrown this together.

It was audacity that got this into a few film festivals coupled with incompetent programmers - it should be immediately shredded - not for human consumption.


Trailer...

[TRAILER] The Terrorists ผู้ก่อการร้าย (2011) from thunska on Vimeo.

The(ir) Blurb...

Two men are in a fishing boat talking. One feels more than one sees that the seawater around them is warm and smooth, teeming with brightly-colored fish. By night, the rubber plantation also comes across as enticing and full of secrets, until lurid reminders of the bloody massacre flash up. This film arose from of a state of shock - about the news, about the subsequent repression in the authoritarian kingdom but also about the debilitating passivity that followed the pro-democracy Red Shirt uprising. It is a radical personal assessment in 17 episodes. An angry protest in the form of a diary, where sexual resistance and erotic fantasies are juxtaposed with thoughtful rummaging through the director's family album, creating a confusing pamphlet. As a young boy in the 1970s, Thunska was already forced to flee Bangkok for the south with his mother.