Fireworks Logo

Trailers...

  • Traveling with Her
  • Two Women
  • Sally
  • Keep Coming Back
  • Eros
  • Cactus Pears
  • According to Otto
  • #1 Happy Family USA
  • Newborn
  • Where the Wind Comes From
  • Love Bites
  • Four Seasons (The)
  • Fear Street: Prom Queen
  • Brooklyn Butcher (The)
  • Étoile
  • Midnight in Phoenix
  • Grotesquerie
  • Sudden Outbursts of Emotions
  • Idyllic
  • Spermageddon
  • La Joia: Bad Gyal
  • Sobre las olas
  • Arthur Erickson: Beauty Between the Lines
  • Parade: Queer Acts of Love & Resistance
  • Pee-wee as Himself
  • Pwede G, pwede B
  • Alien: Romulus
  • Male Gaze: Reality Bites (The)
  • Mariliendre
  • Things Like This
  • Last First Time (The)
  • Sylvia Robyn
  • Sorry, Baby
  • Reset
  • Ramón y Ramón
  • President's Wife (The)
  • Inside
  • Ten Pound Poms
  • Culinary Uprising: The Story of Bloodroot (A)
  • Fuori

Between my Flesh and the World's Fingers

Country: USA, Language: English, 31 mins

  • Director: Talena Sanders

CGiii Comment

Mary MacLane deserves a better telling of her story. Random images and jiggly text does this woman no justice whatsoever.

Typical film school/experimental tosh!


Trailer...

Between my flesh and the world's fingers (excerpt) from Talena Sanders on Vimeo.

The(ir) Blurb...

“I never give my real self. I have a hundred sides, and I turn first one way and then the other. I am playing a deep game.”

Mary MacLane, the Wild Woman of Butte, Montana, published her diaries in 1902 and 1917. As an out bisexual and proto-feminist at the turn of the century, MacLane became notorious upon the publication of her 1902 diary, I Await the Devil’s Coming. She was whisked away from the industrial hellscape of her copper mining Montana hometown to a life in the public eye as an author, journalist, female film pioneer and always a provocateur - sending up social norms throughout her career, with a special focus on staid notions about women and sexuality.

Between my flesh and the world’s fingers is an experimental essay and diary film primarily based on her published diaries and her film work. Throughout the past two years living in Montana, I have created and gathered the elements for this short experimental film. As a female filmmaker working in Montana, I strongly identified both with her life’s work, and her experiences navigating a pervasive masculinity that seemed to underpin so many facets of both of our lives in that state. Though the film is not directly a personal film, the production is founded in part in the act of a woman telling her own story through that of another woman, a richly intriguing, trailblazing figure from the past.