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  • Sapir
  • Sandbag Dam
  • Rains Over Babel
  • Midnight in Bali
  • Gai(e), tu ne seras point
  • Elementary
  • Garbo: Where Did You Go?
  • Bikechess
  • Act Up Ou Le Chaos
  • One of Them Days
  • Presence
  • Clean Slate
  • Somewhere in Love
  • Endless
  • Halloween Ball (The)
  • In Ashes
  • Bad Reputation
  • Akin's Desert
  • Quir
  • Parque de diversões
  • Odd Fish
  • Moment for Love (A)
  • Love Me
  • Under the Southern Cross: The Art and Legacy of Henry L. Faulkner
  • Those Who Wait
  • Found Photo (The)
  • Surfacing
  • Armand
  • Bliss
  • Cheers to Life
  • Full Support
  • Who Wants to Marry an Astronaut?
  • Queer Church
  • Better Man
  • Fugue
  • Frikis (Los)
  • Blue for a Boy
  • Best Friend (The)
  • Bob Mackie: Naked Illusion
  • Diosa

Out on Tuesday

Country: UK, Language: English, 60 mins

  • Director: Phil Woodward
  • Producer: Christopher Hird

CGiii Comment

It certainly took itself very seriously indeed...embracing political correctness to the point of extreme pain...

It was groundbreaking...and, extraordinarily dull.


Trailer...

 

The(ir) Blurb...

Out on Tuesday was Channel Four’s second attempt at a queer lifestyle series in the 1980s. The first  – One in Five – had run for one series in 1983 and, somewhat predictably, had been greeted with outrage by Conservative MPs.

Nonetheless Channel Four persisted and produced a range of queer-themed programmes  throughout the decade. In 1989 the station’s managers obviously felt sufficiently confident to give the lifestyle programme another go and so Out of Tuesday was launched. Produced initially by a company named Abseil (in tribute to the lesbians who had abseiled into Parliament to protest Section 28) it aired initially at 11 p.m. on Tuesday nights.

Then it was moved to 9 p.m. for its second series – and its ratings slumped! So it was moved to Wednesday evenings and simply named Out. The ratings improved but for some reason it was dropped after the fourth season. Perhaps it was felt that our needs were now sufficiently catered for in mainstream programming that we no longer needed our own ‘special’ programmes.