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  • Blue Moon
  • As Silence Passes By
  • Another Simple Favor
  • Miles in Bello: Juan Bernier en la guerra de los españoles
  • Sirens Call
  • Skinny Love
  • Warm Film
  • Straight on Till Morning
  • There's a Zombie Outside
  • Twinless
  • Settle Down
  • Parenting (The)
  • Summer’s Camera
  • Toxico
  • Night Like This (A)
  • Drip Like Coffee
  • Clown in a Cornfield
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  • Manok
  • To Our Friends
  • Body to Live In (A)
  • Few Feet Away (A)
  • Truth or Dare
  • Where You Find Me
  • How to Live
  • Janine Moves to the Country
  • Ice Tower (The)
  • Houses
  • Hot Milk
  • Habibi, Song for my friends
  • Four Mothers
  • No Beast. So Fierce
  • Night Stage
  • Nature of Invisible Things (The)

Last Call at Maud's

Country: USA, Language: English, 77 mins

  • Director: Paris Poirier
  • Producer: Amanda Brilliante; Karen Kiss

CGiii Comment

From 1966 until 1989, Maud's was a San Francisco bar for women. Almost half the film sets the context leading to Maud's opening: lesbians discovering their sexual orientation and having few places to socialize; the foundation of the Daughters of Bilitis in 1955; the need for alternatives to gay (men's) bars, subject to police raids in the 1950s. So, Ricky Streicher opened Maud's: her goal was an honest, open, free place. Good times were on the rise until the late 1970s, then came Harvey Milk's assassination and AIDS. People drank less in the 1980s as well and had fewer casual affairs. Maud's closes, and patrons express great fondness for the place and its people.


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