Fireworks Logo

Trailers...

  • Unforgivable
  • Wayward
  • Cutaways
  • My Sunnyside
  • Brigitte’s Planet B
  • How Far Does The Dark Go?
  • Brief History of the LGBT+ Press in Brazil (A)
  • Internal Comms
  • Ghost Empire § Mauritius-Chagos
  • Mothers, Lovers and Others
  • Labyrinth of Lost Boys
  • Gunyo Cholo: The Dress
  • Days of August
  • Chica Quinqui
  • After the Hunt
  • Desire Lines
  • History of Two Warriors
  • Oxygen Masks Will (Not) Drop Automatically
  • Einfach machen - She-Punks von 1977 bis heute
  • Couture
  • Out Standing
  • History of Sound (The)
  • Cinema Jazireh
  • Imagine
  • TURA!
  • Flower Girl
  • Maspalomas
  • Old Guys in Bed
  • Private Life (A)
  • Sane Inside Insanity - The Phenomenon of Rocky Horror
  • Forgetting the Many: The Royal Pardon of Alan Turing
  • Oh, Otto!
  • True Beauty of Being Bitten by a Tick (The)
  • I Know What You Did Last Summer
  • Silencio
  • Cum As You Are
  • I Wish You All the Best
  • Deaf
  • Toxic Avenger (The)
  • Many Deaths of Nora Dalmasso (The)

Making of Monsters (The)

Country: Canada, Language: English, 35 mins

  • Director: John Greyson
  • Writer: John Greyson
  • Producer: Laurie Lynd

CGiii Comment

Greyson's next film was The Making of "Monsters", a short musical film produced during Greyson's residency at the Canadian Film Centre in 1991. The film deals with the 1985 murder by five adolescent males of Kenneth Zeller, a high school teacher and librarian, when he was allegedly cruising for sexual encounters in Toronto's High Park.

The film is a fictional documentary about the making of a movie-of-the-week, entitled Monsters, in which the young murderers are depicted as psychopathic monsters, rather than normal teenage boys.

The film features Marxist literary critic Georg Lukács as the producer of Monsters, with Bertolt Brecht (played by a catfish) as director. Greyson's film was pulled from distribution when the estate of Kurt Weill objected to its use of the tune of Mack the Knife. Greyson had originally received copyright permission to use the tune, but it was withdrawn, apparently because Weill's estate objected to the film's homosexual themes. Although copyright is no longer an issue, having lapsed in 2000, fifty years after Weill's death, the film has not yet been re-released by the Canadian Film Development Corporation.


There was a trailer...but, it has since disappeared.

Cast & Characters

Christopher Anderson