Geh Vau

Playing, wearing other genders, talking about that embarrassing dream that has to do with Erdogan and hair removal. Having sex. Geh Vau means all this, but also withdrawing from a present that relegates “things of little importance” to intercourses and interruptions of a productive temporality. The daily life of roommates Thea and Paula appears dislocated and claims its own gratuitous dimension even when it comes into contact with otherness, Anton, Thea's erotic desire. The two's attempt to have sexual intercourse is peppered with setbacks, from the call received from Anton to go to the Schapka concert to the lack of a condom, which seem to be confused with the erotic experience itself.

Marie Luise Lehner escapes the dictates of temporality, bringing her characters and their desires with her in a short film full of euphoria and discoveries.

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