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  • Jódete Jorge
  • Son of a Thousand Men (The)
  • Lorca en La Habana
  • The Snail Room
  • Tremembé
  • Iron Reign
  • Bitter Christmas
  • Ghosts Just Wanna Have Fun
  • Crowd (The)
  • Milion
  • Eloy de la Iglesia: Film Addict
  • Sistermaids
  • Everything & The Universe
  • Exit Interviews
  • Bunny
  • Moment (The)
  • Boulet Brothers' Dragula Holiday of Horrors (The)
  • Hey Beautiful: Anatomy of a Romance Scam
  • Wasteman
  • Deb (The)
  • Baby Bandito
  • I Wish You Had Told Me
  • Anemone
  • Abandons (The)
  • Cazuza: Boas Novas
  • Luciano
  • Surviving Ohio State
  • Keller Christmas Vacation (A)
  • I Am Revathi
  • Jimmy Somerville - Rebelle queer de la pop anglaise
  • Pitch (The)
  • Mother Mary
  • Male Gaze: Heavenly Creatures (The)
  • Out of Love
  • Dashed Lines (The)
  • Boy George & Culture Club
  • Bouchra
  • Apolo
  • No Mercy
  • Night in West Texas

Tiny Ventriloquist (The)

Country: Canada, 60 mins

  • Director: Steve Reinke

CGiii Comment

“In the first shot of Reinke’s new feature length video, we see the desert landscape of the American Southwest from a car window. Though shaky and handheld, it is an immediately recognizable and iconic image: the great vistas of Hollywood westerns, of American westward expansion, of monumental modernist land art from the late 20th century. On the soundtrack, Reinke’s unmistakable voice apologizes for beginning the film with a shot of a landscape from a moving car, but what is he to do? The camera is already rolling. This moment encapsulates much of what transpires in the scenes that follow: presenting us with an image, dismissing that image and wryly suggesting he is doing nothing here, that the footage is just unreeling. Reinke’s collection and organization of images and sounds seem casual at first, but ultimately reveal themselves to be heavily mediated and orchestrated.”


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