Fireworks Logo

Trailers...

  • Red Light
  • Meet Me at the Club
  • Chris & Martina: The Final Set
  • Dreamboi
  • Shelter
  • When the Mind's Free
  • Stronger Together
  • Are You Afraid of the '90s?
  • Liminal
  • Four Girls
  • Possible Days - Trilogy on Tenderness
  • Rita Moreira: chronicles, memories and videotape
  • Me Niego Rotundamente
  • Lo Noy
  • Bombacha
  • Amor Trava
  • Man I Love (The)
  • Loves Company
  • Our Colors Never Fade
  • Mayflies
  • Tracy & Martina: Goin' Out West
  • Test
  • Portrait of the Father at 71
  • What we did in the Shadows
  • Teenage Sex and Death at Camp Miasma
  • Movement Song
  • My Name
  • Miss You, Love You
  • Twice the Beast
  • Two Weeks In
  • Umjolo: There Is No Cure
  • Barefoot Boy
  • New Fears Eve
  • In the Grey
  • Black Ball (The)
  • Moss & Freud
  • Social Sin (The)
  • F*ck Drugs
  • Emergency Exit
  • MACDO

Pasolini Prossimo Nostro

Country: Italy, Language: Italian, 58 mins

  • Director: Giuseppe Bertolucci
  • Producer: Gianluca Crozzoli; Angelo S. Draicchio

CGiii Comment

Don't expect too much...then, you won't be disappointed.

Don't expect too much behind-the-camera footage...there is very little.

What you do get is...a mountain of stills from Salò and the odd head shot of the director.

All this is accompanied with a dodgy soundtrack of Pasolini philosophising and politicising...if you believe that Pasolini had anything important to say before his murder...then, here it is.

Otherwise...and, in reality...it's a shabby attempt to make money out of a dead director.


Trailer...

The(ir) Blurb...

We are on the set of "Salò or the 120 days of Sodom". Pasolini lets a small camera team led by the journalist Gideon Bachmann follow him around engaging him in a long and extraordinary interview/conversation. The interview turns into a long, clear-sighted and violent attack on society that accompanies photos of the set in a surprising juxtaposition of film and reality, revealing Pasolini's metaphorical portrait of modernity.

Cast & Characters

Franco Merli as Franco;
Pier Paolo Pasolini as Himself