Fireworks Logo

Trailers...

  • History of Two Warriors
  • Einfach machen - She-Punks von 1977 bis heute
  • Couture
  • Out Standing
  • History of Sound (The)
  • Cinema Jazireh
  • Imagine
  • TURA!
  • Flower Girl
  • Maspalomas
  • Old Guys in Bed
  • Private Life (A)
  • Sane Inside Insanity - The Phenomenon of Rocky Horror
  • Forgetting the Many: The Royal Pardon of Alan Turing
  • Oh, Otto!
  • True Beauty of Being Bitten by a Tick (The)
  • I Know What You Did Last Summer
  • Silencio
  • Cum As You Are
  • I Wish You All the Best
  • Deaf
  • Toxic Avenger (The)
  • Nature of Us (The)
  • Many Deaths of Nora Dalmasso (The)
  • Dreamers
  • Winter Rain (The)
  • Wave (The)
  • Girls We Want (The)
  • My Sweet Child
  • It Needs Eyes
  • Bookish
  • Hurt
  • Mysterious Behaviors
  • Snare of Evil
  • Cuidadoras
  • First Lady (The)
  • Noah's Arc: The Movie
  • Franklin
  • Thunderbolts*
  • Krishna Arjun

Lamps (The)

Country: USA, Language: English, 4 mins

  • Director: Shelly Silver
  • Writer: Shelly Silver
  • Producer: Shelly Silver

CGiii Comment

Quite literally...absolutely no idea what this film is for or about!


Trailer...

THE LAMPS - Excerpt from Shelly Silver on Vimeo.

The(ir) Blurb...

“All who want me would like to eat me up. But I am too expansive and am open to all sides, desire this here and that there.”
The Baroness Elsa von Freytag-Loringhoven

“The Baroness is not a futurist. She is the future.”
Marcel Duchamp

“The Baroness Elsa von Freytag-Loringhoven, née Plötz, was an unsung member of the New York Dada Movement. She was a poet, artist, vaudeville performer, runaway, rabble-rouser, cross-dresser, and all around public provocateur. She actively did not fit into her historical moment, and like most misfits, suffered for it. As with many women artists throughout history, her cultural legacy has been obscured and in some instances appropriated into the oeuvres of better-known male peers. Some researchers believe that the Baroness was the artist behind “Fountain,” the ready-made urinal attributed to Duchamp. The Lamps details her trip to the Naples Archeological Museum in the early 1900s where she breaks into “Il Gabinetto Segreto,“ a secret room filled with erotic objects from Pompeii.”
Shelly Silver