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  • Hadestown: The Musical
  • Dad on Arrival
  • Since We've No Place to Go
  • Nena
  • Hijamat
  • Song for Eresha (A)
  • Free Fall: Who you are
  • Phoebe
  • Red Light
  • Meet Me at the Club
  • Chris & Martina: The Final Set
  • Dreamboi
  • Shelter
  • When the Mind's Free
  • Stronger Together
  • Are You Afraid of the '90s?
  • Liminal
  • Four Girls
  • Possible Days - Trilogy on Tenderness
  • Rita Moreira: chronicles, memories and videotape
  • Me Niego Rotundamente
  • Lo Noy
  • Bombacha
  • Amor Trava
  • Man I Love (The)
  • Loves Company
  • Our Colors Never Fade
  • Mayflies
  • Tracy & Martina: Goin' Out West
  • Test
  • Portrait of the Father at 71
  • What we did in the Shadows
  • Teenage Sex and Death at Camp Miasma
  • Movement Song
  • My Name
  • Miss You, Love You
  • Twice the Beast
  • Two Weeks In
  • Umjolo: There Is No Cure
  • Barefoot Boy

Kein Zickenfox

Country: Germany, Language: German, 69 mins

  • Director: Kerstin Polte
  • Writer: Dagmar Jäger
  • Producer: Claus Wischmann

CGiii Comment

From the tuba to the piccolo, sixty-six women, twenty-one different instruments, and the widest possible range of female life plans and histories come together in an elementary school every Tuesday evening to make music together. Combined they are more than 2700 years old: the youngest is barely twenty and the oldest celebrated her 70th birthday years ago. This is where the postwar generation meets postmodernity; the minister's daughter from the once-socialist East meets the Catholic girl from Cologne; the organic farmer meets the food chemist; and the policewoman, the bohemian. Some love women; others, men.

They live with children or without, as a couple or confirmed single. They wear Birkenstocks, high heels, or walk barefoot. All kinds of women are welcome in this open-minded, tolerant community. No matter where a woman comes from, how she votes, or whom she loves. There's only one requirement: a love of music.


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