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  • Breathing Underwater
  • And They Were Roommates
  • Castration Movie Chapter III
  • Blood Lines
  • Drax
  • Círculo de los Mentirosos (El)
  • Buenos Fucking Aires
  • Bookends
  • Emi
  • We Go Again
  • Soy Mario
  • Song Without Home (A)
  • Chinatown Cha-Cha
  • Cause for Alarm (A)
  • Siemprevivas
  • Half Man
  • Who by Fire
  • Numakage Public Pool
  • Super Progressive Movie (A)
  • Arctic Circle of Lust (The)
  • My Dearest Señorita
  • Donkey Days
  • Forge
  • Eva
  • Fifteen Days
  • Ballata femmenella
  • 1 Girl Infinite
  • House of Gloss
  • Blue Film
  • Distant Call (A)
  • Ngwato
  • Saved by the Beauty of the World
  • Children of Silver Street Take a Stand (The)
  • Color Theories by Julio Torres
  • Arctic Link
  • Divine Hammer
  • Woman Who Poked the Leopard (The)
  • Dinner (The)
  • Baracoa
  • Blue Boy Trial

Last Call at Maud's

Country: United States, Language: English, 77 mins

  • Director: Paris Poirier
  • Producer: Amanda Brilliante; Karen Kiss

CGiii Comment

From 1966 until 1989, Maud's was a San Francisco bar for women. Almost half the film sets the context leading to Maud's opening: lesbians discovering their sexual orientation and having few places to socialize; the foundation of the Daughters of Bilitis in 1955; the need for alternatives to gay (men's) bars, subject to police raids in the 1950s. So, Ricky Streicher opened Maud's: her goal was an honest, open, free place. Good times were on the rise until the late 1970s, then came Harvey Milk's assassination and AIDS. People drank less in the 1980s as well and had fewer casual affairs. Maud's closes, and patrons express great fondness for the place and its people.


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