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Trailers...

  • Four Girls
  • Possible Days - Trilogy on Tenderness
  • Rita Moreira: chronicles, memories and videotape
  • Me Niego Rotundamente
  • Lo Noy
  • Bombacha
  • Amor Trava
  • Man I Love (The)
  • Loves Company
  • Our Colors Never Fade
  • Mayflies
  • Tracy & Martina: Goin' Out West
  • Test
  • Portrait of the Father at 71
  • What we did in the Shadows
  • Teenage Sex and Death at Camp Miasma
  • Movement Song
  • My Name
  • Miss You, Love You
  • Twice the Beast
  • Two Weeks In
  • Umjolo: There Is No Cure
  • Barefoot Boy
  • New Fears Eve
  • In the Grey
  • Black Ball (The)
  • Moss & Freud
  • Social Sin (The)
  • F*ck Drugs
  • Emergency Exit
  • MACDO
  • Proud
  • Tip Toe
  • Club Kid
  • Another Day
  • Hockey Player (The)
  • Punkie
  • Perfect
  • Out of the Woods
  • Manhood

Contrast or illusion (The)

Country: Poland, 6 mins

  • Director: Mariusz Borzyszkowski
  • Writer: Mariusz Borzyszkowski
  • Producer: Mariusz Borzyszkowski

CGiii Comment

The story focuses on evaluation and the space that emerges when we are being judged. What do people face in the contemporary world, surrounded by evaluation mechanisms from all sides? Why is there, so little diversity in terms of thinking in the highest authorities who look at us and evaluate us, especially when we want to grow, go further? Is every element influencing the evaluation truly systematized, or is the final outcome in our everyday lives a more random result made by favourable or negative moments or situations in which we find ourselves, usually without control over them? This VR experience revolves around the contrast that arises when the participant enters the virtual space. The role and position of the viewer as an observer and evaluator in the real space undergo a change. In the virtual narrative, the recipient-user becomes the object of observation and evaluation by 16 virtual characters. Through a random algorithm that influences the behaviour of the characters, the viewer can be accepted or expelled from the environment.


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