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  • Four Girls
  • Possible Days - Trilogy on Tenderness
  • Rita Moreira: chronicles, memories and videotape
  • Me Niego Rotundamente
  • Lo Noy
  • Bombacha
  • Amor Trava
  • Man I Love (The)
  • Loves Company
  • Our Colors Never Fade
  • Mayflies
  • Tracy & Martina: Goin' Out West
  • Test
  • Portrait of the Father at 71
  • What we did in the Shadows
  • Teenage Sex and Death at Camp Miasma
  • Movement Song
  • My Name
  • Miss You, Love You
  • Twice the Beast
  • Two Weeks In
  • Umjolo: There Is No Cure
  • Barefoot Boy
  • New Fears Eve
  • In the Grey
  • Black Ball (The)
  • Moss & Freud
  • Social Sin (The)
  • F*ck Drugs
  • Emergency Exit
  • MACDO
  • Proud
  • Tip Toe
  • Club Kid
  • Another Day
  • Hockey Player (The)
  • Punkie
  • Perfect
  • Out of the Woods
  • Manhood

Non-Fiction

Country: France, Language: French, 108 mins

Original Title

Doubles vies
  • Director: Olivier Assayas
  • Writer: Olivier Assayas
  • Producer: Charles Gillibert

CGiii Comment

Basically, this is about the printed book versus the e-book...it's a debate that presents itself, monotonously, repetitvely and incessantly through various conversations...yes, it is as boring as it sounds.

Let's get to the crux of the argument...e-books are all about accessibility, they are cheaper [by far], the font can be increased, they take up [literally] no space, they are paperless, they define obscure words instantaneously [no need for that heavy dictionary...there goes another book!]...in fact, it's a no-brainer, e-books win hands down.

Good grief...you can hear the traditionalists [those bookish reactionaries] wail and holler with contempt. Get off your elitist high-horses! Pragmatically, e-books win by playing the aces: Economics and environment. Whatever is [actually] written does not change what is written just because it is viewed on a different medium. Get over it and move on!

Alas...Olivier Assayas refuses to move on, he even introduces a mind-numbing political discourse...heaps of infidelity, an obsession with The White Ribbon...and, a bit of bisexuality to keep things 'interesting' - this is all wrapped around an absolute louse of a writer.

The 'Juliette Binoche' joke, the ridiculously happy ending with that horrific closing song...totally bemusing.

It's verbose, it's monotonous...it's pseudo-intellectualism at its worst. The funniest thing about this film is...it calls itself a comedy. No-one's laughing.


Trailer...

The(ir) Blurb...

Set in the Parisian publishing world, an editor and an author find themselves in over their heads, as they cope with a middle-age crisis, the changing industry and their wives.

Cast & Characters

Guillaume Canet as Alain Danielson
Juliette Binoche as Selena
Vincent Macaigne as Léonard Spiegel
Christa Théret as Laure d'Angerville
Nora Hamzawi as Valérie
Pascal Greggory as Marc-Antoine Rouvel
Laurent Poitrenaux as Maxime Caron
Sigrid Bouaziz as L'amie éditrice
Lionel Dray as L'ami éditeur
Nicolas Bouchaud as David
Antoine Reinartz as Blaise, le libraire d'Arles
Aurélia Petit as Invitée de Marc-Antoine
Thierry de Peretti as Invité de Marc-Antoine
Violaine Gillibert as Paloma, l'amie de Marc-Antoine
Jean-Luc Vincent as Carsten