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Trailers...

  • Song for Eresha (A)
  • Free Fall: Who you are
  • Phoebe
  • Red Light
  • Meet Me at the Club
  • Chris & Martina: The Final Set
  • Dreamboi
  • Shelter
  • When the Mind's Free
  • Stronger Together
  • Are You Afraid of the '90s?
  • Liminal
  • Four Girls
  • Possible Days - Trilogy on Tenderness
  • Rita Moreira: chronicles, memories and videotape
  • Me Niego Rotundamente
  • Lo Noy
  • Bombacha
  • Amor Trava
  • Man I Love (The)
  • Loves Company
  • Our Colors Never Fade
  • Mayflies
  • Tracy & Martina: Goin' Out West
  • Test
  • Portrait of the Father at 71
  • What we did in the Shadows
  • Teenage Sex and Death at Camp Miasma
  • Movement Song
  • My Name
  • Miss You, Love You
  • Twice the Beast
  • Two Weeks In
  • Umjolo: There Is No Cure
  • Barefoot Boy
  • New Fears Eve
  • In the Grey
  • Black Ball (The)
  • Moss & Freud
  • Social Sin (The)

Not Angels but Angels

Country: Czech Republic, France, Language: Czech, 80 mins

Original Title

Nem angyalok, de angyalok
  • Director: Wiktor Grodecki
  • Writer: Wiktor Grodecki
  • Producer: Peter Lencses

CGiii Comment

The first of Grodecki's prostitution series...the destitute, the desolate, the depraved and, the deluded...an achingly sad reflection of society.

Rougher than 'Body Without Soul' - it's the same format of talking heads...with a bizarre soundtrack and interjections by a self-justifying, pragmatic pimp.

If it wasn't so sad it would be hysterically funny.

A deeply moving film about failed youth...and, unapologetically manipulative.

Sadly, simply shedding tears for these sad boys will not help...

Where are they all now...?

Hopefully, somewhere better.


Trailer...

The(ir) Blurb...

Interviews with a procurer and with nineteen boys and young men who are prostitutes in Prague. The youths range in age from 14 to 19. They hustle at the central train station and at clubs. Most of their clients are foreign tourists, many are German. The youths talk about why they hustle, their first trick, prices, dangers, what they know about AIDS, their fears (disease and loneliness), and how they imagine their futures. The film's title, its liturgical score, much of it elegiac, and shots of the city's statues of angels underline the vulnerability and callow lack of sophistication of the young men.