Fireworks Logo

Trailers...

  • Ashes
  • Tree (The)
  • Male Gaze: Risk Appeal (The)
  • City of Mermaids
  • Mika Ex Machina
  • Outliers and Outlaws
  • Luther: The Fallen Sun
  • Do You Want to Die in Indio?
  • Groomsmen: First Look (The)
  • Amar Prem Ki Prem Kahani
  • Barbitch
  • Birthright
  • House with a Voice
  • Unbowed
  • Joy of Love (The)
  • Janis Ian: Breaking Silence
  • Electrocardiograma
  • In the Shadows of Dreams
  • Thesis on a Domestication
  • Drone
  • Flashback
  • Present Body
  • Some Nights I Feel Like Walking
  • As Fado Bicha
  • Feeling Randy
  • Confesiones Chin Chin
  • Third End of the Stick (The)
  • George Michael: Portrait of an Artist
  • They Are Siufung Law
  • Bluish
  • Fotogenico
  • Nobody Likes Me
  • Black Fruit
  • Sabbath Queen
  • One Last Night of You
  • No Dogs Allowed
  • Transmitzvah
  • Treasury of Human Inheritance (The)
  • Une histoire trans, 60 ans de combats pour exister
  • Sida, des années sombres aux premières victoires

Making of Monsters (The)

Country: Canada, Language: English, 35 mins

  • Director: John Greyson
  • Writer: John Greyson
  • Producer: Laurie Lynd

CGiii Comment

Greyson's next film was The Making of "Monsters", a short musical film produced during Greyson's residency at the Canadian Film Centre in 1991. The film deals with the 1985 murder by five adolescent males of Kenneth Zeller, a high school teacher and librarian, when he was allegedly cruising for sexual encounters in Toronto's High Park.

The film is a fictional documentary about the making of a movie-of-the-week, entitled Monsters, in which the young murderers are depicted as psychopathic monsters, rather than normal teenage boys.

The film features Marxist literary critic Georg Lukács as the producer of Monsters, with Bertolt Brecht (played by a catfish) as director. Greyson's film was pulled from distribution when the estate of Kurt Weill objected to its use of the tune of Mack the Knife. Greyson had originally received copyright permission to use the tune, but it was withdrawn, apparently because Weill's estate objected to the film's homosexual themes. Although copyright is no longer an issue, having lapsed in 2000, fifty years after Weill's death, the film has not yet been re-released by the Canadian Film Development Corporation.


There was a trailer...but, it has since disappeared.

Cast & Characters

Christopher Anderson