Winipek

James Dixon’s work frequently engages with the complexities of Indigeneity and the landscapes of home. Wînipêk (also known by its colonial name, Winnipeg) examines the dispossession of Treaty territories, exploring themes of (dis)connection, and the longing for return and kinship with the land. Through a blend of collage, experimental film, and documentary aesthetics, Dixon reflects on these experiences and histories.

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